DELUXE REELS

Short-form editing · Max Love · project-based

One source. More usable content. Built around your brief.

Deluxe Reels turns podcasts, interviews, events, and creator footage into platform-ready clips with strong hooks, clear captions, clean audio, and intentional reframing. Scope, deliverables, review steps, and schedule are agreed before work begins.

Clear scope · Agreed deliverables · Human creative review

Selected Deluxe Reels editing sample
Raw sample frame
Edited sample frame
rawedited

drag the line

Before / after

Same face.
Same words.
Different video.

Left is the clip as it was recorded. Right is the same clip after I've cut it. Nothing was re-shot, nothing was scripted — every graphic is built out of what the person actually said.

SourceA phone recording of a talking head, no B-roll AddedA grade, matched captions, four drawn graphics, UI sound design ScopeSource length, edit complexity, deliverables, and review needs set the schedule

Selected sample evidence

One edit, opened up.

The before/after above uses sample footage and is shown to demonstrate grading, matched captions, custom graphics, sound design, and reframing—not to imply a client relationship or guaranteed outcome.

Statements inside source footage belong to that footage and are not presented as verified Deluxe Reels results. The example is evidence of the editing treatment, not a promise of performance.

Results

Same words.
0× the views.

A coaching client posted her own cut of a recording. I cut the same recording, she posted that too. Nothing changed except the edit.

0Her channel's median video
0Her own cut of the recording
0My cut of the same recording

Two things are small here and I'd rather say so than have you find out: it's one video, and the channel is early. I'm showing it because it's the honest kind of proof — a controlled comparison on the same footage — not because 388 is a big number. When there's more, this section gets updated, not inflated.

A Baptist churchShort-form clips from Sunday services
A Calvary ChapelShort-form clips from Sunday services
An insurance sales coachReels cut from her recordings — the 388-view cut above is hers

Paying clients so far. Quotes go up the moment each client says yes, in their own words — nothing on this page is invented, and that includes the testimonials it doesn't have yet.

Max is great at what he does, easy to work with!
Aaron BakerMedia Coordinator @Denham Street Baptist Church · approved 2026-09-03
very pleased with the quality the editing as well as the captions
Jeff GriffithDenham Street Baptist · approved 2026-09-03

How it works

A clear brief.
A focused edit.

The project starts with the source, the audience, and the deliverables—not a blanket package. We agree the output mix, review steps, and schedule before editing begins.

01

You share the brief

Send the source format, target channels, desired deliverables, reference style, and timing needs. Raw phone video, a podcast, an interview, an event, or a livestream can all be scoped.

02

I shape the edit

Claude, Python, FFmpeg, and Whisper help with transcript review, clip preparation, captions, and repeatable production tasks. Human creative direction guides the hook, story, pacing, framing, brand fit, and quality check.

03

We review and deliver

You review against the agreed direction. Approved versions are prepared to the agreed channel, caption, audio, framing, and export specifications.

Taking new clients Max Love

The editor

I'm Max Love.

Deluxe Reels is a hands-on editing service, not a queue of anonymous freelancers. I use Claude, Python, FFmpeg, and Whisper to accelerate transcript review, clip preparation, captions, and repeatable production tasks. Creative direction, story judgment, and final quality assurance stay human.

Max Love
StoryHooks and pacing
SoundCleanup and balance
QAHuman final review

Services

Choose the relationship.
Scope the work.

Every engagement is shaped around the footage, channels, creative direction, output mix, and review needs. The proposal defines what is included before production starts.

Focused projectDefined engagement
Projectone source set · agreed deliverables
  • Source footage and channel goals reviewed together
  • Clip count, formats, review steps, and exports agreed in writing
  • Hooks, captions, audio cleanup, graphics, and reframing as scoped
  • Schedule confirmed after the material and complexity are reviewed

The proposal follows the brief.

Ongoing editingRepeatable workflow
Partnerplanned capacity · defined output mix
  • Consistent source handoff, channel mix, and approval process
  • Long-form footage shaped into a planned set of short-form assets
  • Caption, audio, reframing, and export standards carried forward
  • Capacity and schedule matched to the publishing plan

Defined capacity, not vague volume.

Content repurposingMulti-format
Systemlong-form source · channel-ready outputs
  • Podcasts, interviews, events, and creator footage reviewed for moments
  • Strong sections shaped into focused short-form narratives
  • Readable captions, clean audio, and platform-specific reframing
  • Approved versions prepared to the agreed export specifications

One source, a deliberate output mix.

How scope gets set

Clear before the first cut.

  • Source: format, length, condition, and handoff method.
  • Deliverables: output mix, channels, captions, audio, framing, and exports.
  • Creative: audience, references, brand direction, and approval criteria.
  • Plan: review steps, capacity, dependencies, and schedule.

Share the brief in a direct message. After the material and goals are reviewed, you'll receive a recommended scope and next steps.

Questions

The real ones.

How are projects priced?

After I review the source, channels, deliverables, creative direction, and review needs. The proposal sets the scope and terms before editing begins; capacity and outputs are defined rather than left open-ended.

What affects the schedule?

Source length and condition, the number and format of deliverables, edit complexity, dependencies, and review needs. Timing is confirmed as part of the scope rather than promised before the footage is reviewed.

What can you make from long-form footage?

Focused short-form cuts with hooks, pacing, captions, audio cleanup, graphics where they serve the idea, platform-specific reframing, and approved export versions. The exact mix is agreed for the project.

Do you write the hooks or do I?

I do, from what you actually said. I won't put words in your mouth — the hook gets built out of the strongest sentence already in the footage.

What do you need from me to start?

Your source format, target channels, desired deliverables, reference style, and timing needs. A footage link or representative sample helps me recommend the right scope.

Do I have to get on a call?

No. The inquiry and project details can start in writing. If a conversation would clarify a complex brief, we can decide that together.

How do the tools fit into the workflow?

Claude, Python, FFmpeg, and Whisper help accelerate transcript review, clip preparation, captions, and repeatable production work. They support the process; human creative direction and quality assurance decide what makes the final cut.

Is every reel client work?

No. The portfolio labels sample footage and real client footage separately. The edits are shown as evidence of the work itself, without presenting a sample subject as a client.

Who's actually doing the editing?

Max Love. The workflow uses purpose-built tools for repeatable production tasks, while creative direction, story judgment, and final quality assurance remain hands-on.